Arts Management programs began in the 1970s, following the establishment of the National Endowment for the Arts in 1965, which stressed the need for leaders in the arts. Since then, technological advances have led to improvements in understanding and building audience engagement and navigating the necessity of marketing for artists in the 21st century.
Colorado State University Rams love their moms. In celebration of the women who changed their lives, these Rams named a seat in the University Center for the Arts after their mothers.
Colorado State University installed its first array of photovoltaic solar panels a decade ago, on the roof of the Engineering Building.
A Man of No Importance, the musical, is a tender story of family, friendship, and acceptance that teaches us it really is a wonderful thing to “love who you love.” It starts at the University Center of the Arts April 26.
Innovative, diverse, and relevant new works by CSU dance faculty and student choreographers are featured throughout the 2019 Spring Dance Concert April 26-27
Performances of The Wandering Scholar by Gustav Holst and Riders to the Sea by Ralph Vaughan Williams will be held at the UCA this month.
This is the first time the annual convention has been held in Colorado since the inception of the American Bandmasters Association (ABA) in 1930.
A fairly new play, One Man, Two Guvnors by Richard Bean, opens on Friday, Feb. 15, at the UCA.
Big Love by Charles Mee has been called a big, beautiful, fantastic mess. Just like love, or perhaps like water. Water plays a major role in the on-stage dynamic, and the key to success is collaboration between the multiple theatrical shops. From the set designer to the technical director, all members of CSU’s Theatre worked together to make the production a success (and not a mess!)
As part of their national accreditation, the Gregory Allicar Museum of Art prepared an emergency response plan, identifying which pieces they would ‘rescue’, in case there is a flood or other natural disaster affecting the collection. “As a land-grant institution, our collection is part of the public trust and we hold it and care for it for everyone. We have to protect the collections from all forms of water for ten more years and beyond.”